Lit 2310: Fairy Tales-Auld: Books & Ebooks

The Princess Bride by William Goldman; Michael Manomivibul (Illustrator) Here William Goldman's beloved story of Buttercup, Westley, and their fellow adventurers finally receives a beautiful illustrated treatment. A tale of true love and high adventure, pirates, princesses, giants, miracles, fencing, and a frightening assortment of wild beasts--The Princess Bride is a modern storytelling classic. As Florin and Guilder teeter on the verge of war, the reluctant Princess Buttercup is devastated by the loss of her true love, kidnapped by a mercenary and his henchman, rescued by a pirate, forced to marry Prince Humperdinck, and rescued once again by the very crew who absconded with her in the first place. In the course of this dazzling adventure, she'll meet Vizzini--the criminal philosopher who'll do anything for a bag of gold; Fezzik--the gentle giant; Inigo--the Spaniard whose steel thirsts for revenge; and Count Rugen--the evil mastermind behind it all. Foiling all their plans and jumping into their stories is Westley, Princess Buttercup's one true love and a very good friend of a very dangerous pirate.

Fairy Tales, Monsters, and the Genetic Imagination by Mark W. Scala (Editor) This catalog explores the psychological and social implications contained in the hybrid creatures and fantastic scenarios created by contemporary artists whose works will appear in the exhibition Fairy Tales, Monsters, and the Genetic Imagination, which opens at Nashville's Frist Center for the Visual Arts in February 2012. Curator Mark Scala's introductory essay focuses on anthropomorphism in the mythology, folklore, and art of many cultures as it contrasts with the dominant Western view of human exceptionalism. Scala also provides an art historical context, linking the visual fabulists of today to artists of the Romantic, Symbolist, and Surrealist periods who sought to transcend oppositions such as rationality and intuition, fear and desire, the physical and the spiritual. Discussing how artists adapt traditional stories to give mythic form to the very real dilemmas of contemporary life, Jack Zipes's "Fairy-Tale Collisions" centers on Paula Rego, Kiki Smith, and Cindy Sherman. From a generation of women who have attained prominence since the 1980s, these artists alter fairy-tale imagery to subvert or rewrite social roles and codes. In "Metamorphosis of the Monstrous," Marina Warner discusses works in the exhibition in the context of historical conceptions of monsters as expressions of alterity, bestiality, or sinfulness. Her reminder that contemporary monster images offer "a promise and a warning about the variety, heterogeneity, and possible combinations and recombinations in the order of things" sets the stage for Suzanne Anker's essay, punningly titled "The Extant Vamp (or the) Ire of It All: Fairy Tales and Genetic Engineering." Considering representations of hybrid bodies by Patricia Piccinini, Janaina Tschape, Saya Woolfalk, and others, which evoke imagined beings of the past as a way to envision the recombinant creatures that may lie in the future, Anker shows how artists explore the social, ethical, and future implications of biological design and enhanced evolution. Accompanying an exhibition of contemporary art in which depictions of marvelous creatures and fantastic narratives provide both chills and delights, the essays in Fairy Tales, Monsters, and the Genetic Imagination explore the meaning of this fabulist revival through the lenses of social and art history, literature, feminism, animal studies, and science.

Like Water for Chocolate by Laura Esquivel The bestselling phenomenon and inspiration for the award-winning film. Earthy, magical, and utterly charming, this tale of family life in turn-of-the-century Mexico blends poignant romance and bittersweet wit. This classic love story takes place on the De la Garza ranch, as the tyrannical owner, Mama Elena, chops onions at the kitchen table in her final days of pregnancy. While still in her mother's womb, her daughter to be weeps so violently she causes an early labor, and little Tita slips out amid the spices and fixings for noodle soup. This early encounter with food soon becomes a way of life, and Tita grows up to be a master chef, using cooking to express herself and sharing recipes with readers along the way.

Le Petit Chaperon Rouge by Ana Lomba; Santiago Cornejo (Illustrator); Dominique Wenzel (Translator); Rob Zollman (Produced by) Jump start your kids' education in French Award-winning language-learning innovator Ana Lomba transforms "Goldilocks and the Three Bears" into a way to introduce kids ages two to seven to French. It includes vivid illustrations, a mini "pictionary," and frequent dialogs that model everyday communication. Accompanying the book is a 45-minute audio CD that features a lively reading of the story, in French and English, helpful pronunciation basics, and fun games and activities.

Contemporary Fiction and the Fairy Tale by Stephen Benson (Contribution by, Editor, Introduction by); Cristina Bacchilega (Contribution by); Elizabeth Wanning Harries (Contribution by); Merja Makinen (Contribution by); Andrew Teverson (Contribution by); Sharon R. Wilson (Contribution by) Recent decades have witnessed a renaissance of interest in the fairy tale, not least among writers of fiction. In Contemporary Fiction and the Fairy Tale, editor Stephen Benson argues that fairy tales are one of the key influences on fiction of the past thirty years and also continue to shape literary trends in the present. Contributors detail the use of fairy tales both as inspiration and blueprint and explore the results of juxtaposing fairy tales and contemporary fiction. At the heart of this collection, seven leading scholars focus on authors whose work is heavily informed and transformed by fairy tales: Robert Coover, A. S. Byatt, Margaret Atwood, Angela Carter, and Salman Rushdie. In addition to investigating the work of this so-called fairy-tale generation, Contemporary Fiction and the Fairy Tale provides a survey of the body of theoretical writing surrounding these authors, both from within literary studies and from fairy-tale studies itself. Contributors present an overview of critical positions, considered here in relation to the work of Jeanette Winterson and of Nalo Hopkinson, suggesting further avenues for research. Contemporary Fiction and the Fairy Tale offers the first detailed and comprehensive account of the key authors working in this emerging genre. Students and teachers of fiction, folklore, and fairy-tale studies will appreciate this insightful volume.

French Fairy Tales by Bettina L. Knapp Offers an analysis of fourteen French fairy tales, from the medieval Romance of Mélusine to Jean Cocteau's film version of Beauty and the Beast, exploring their universal and eternal nature as well as their relevance to modern readers.